{"id":35441,"date":"2025-10-27T15:16:16","date_gmt":"2025-10-27T19:16:16","guid":{"rendered":"https:\/\/dostoevsky.org\/2025\/10\/27\/a-retrospective-on-the-website-dostoevsky-now\/"},"modified":"2025-10-27T15:16:16","modified_gmt":"2025-10-27T19:16:16","slug":"a-retrospective-on-the-website-dostoevsky-now","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/a-retrospective-on-the-website-dostoevsky-now\/","title":{"rendered":"A Retrospective on the Website Dostoevsky Now"},"content":{"rendered":"<p><em>The North American Dostoevsky Society stands with all the people of Ukraine, Russia, and the rest of the world who condemn the Russian invasion of Ukraine. See our statement\u00a0<\/em><a href=\"https:\/\/bloggerskaramazov.com\/2022\/02\/28\/north-american-dostoevsky-society-executive-board-statement-in-support-of-ukraine\/\"><em>here<\/em><\/a><em>.<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<p>by Sarah Hudspith <\/p>\n<p>In November 2015 I established a website entitled <em>Dostoevsky Now. <\/em>Billed as \u201ca suite of resources for exploring Dostoevsky in the world today\u201d, the site was intended for what the UK higher education sphere terms public engagement, in other words, a means of communicating with a non-academic audience. The site was hosted by my institution, the University of Leeds, and set-up costs were met by Leeds\u2019s School of Languages, Cultures and Societies. It chiefly comprised a blog, with an associated Twitter account, as well as a page of links to groups, societies, museums and exhibitions, online reading groups and other events from around the world relating to Dostoevsky.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><a href=\"https:\/\/bloggerskaramazov.com\/wp-content\/uploads\/sites\/2\/2025\/10\/screenshot-2025-10-21-at-5.55.21-pm.png\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"554\" data-attachment-id=\"8872\" data-permalink=\"https:\/\/bloggerskaramazov.com\/2015\/11\/15\/thoughts-on-part-i-of-crime-and-punishment-raskolnikovs-responsibility\/screenshot-2025-10-21-at-5-55-21-pm\/#main\" data-orig-file=\"https:\/\/bloggerskaramazov.com\/wp-content\/uploads\/sites\/2\/2025\/10\/screenshot-2025-10-21-at-5.55.21-pm.png\" data-orig-size=\"1356,1030\" data-comments-opened=\"1\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"Screenshot 2025-10-21 at 5.55.21\u202fPM\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/bloggerskaramazov.com\/wp-content\/uploads\/sites\/2\/2025\/10\/screenshot-2025-10-21-at-5.55.21-pm.png?w=300\" data-large-file=\"https:\/\/bloggerskaramazov.com\/wp-content\/uploads\/sites\/2\/2025\/10\/screenshot-2025-10-21-at-5.55.21-pm.png?w=730\" src=\"https:\/\/bloggerskaramazov.com\/wp-content\/uploads\/sites\/2\/2025\/10\/screenshot-2025-10-21-at-5.55.21-pm.png?w=730\" alt=\"\" class=\"wp-image-8872\" \/><\/a><\/figure>\n<\/div>\n<p><em>Dostoevsky Now<\/em> initially served as the main channel of communication about \u2018Dostoevsky Day\u2019, a public engagement event held at the University of Leeds on 19 February 2016 to commemorate the 150<sup>th<\/sup> anniversary of the publication of <em>Crime and Punishment<\/em>. This event, attended by staff, students and members of the public, featured a discussion with Oliver Ready, the translator of <a href=\"https:\/\/www.penguin.co.uk\/books\/177606\/crime-and-punishment-by-dostoyevsky-fyodor\/9780141192802\">Penguin\u2019s new edition of the novel;<\/a> presentations by Leeds graduate students on engagements with Dostoevsky in the visual arts; an interview with the author <a href=\"https:\/\/rogernmorris.co.uk\/\">R. N. Morris<\/a> about his series of detective novels set in 19<sup>th<\/sup> century St Petersburg; and a Dostoevsky-themed pub quiz. In the lead-up to \u2018Dostoevsky Day\u2019, I ran a reading group discussing <em>Crime and Punishment<\/em> and wrote some accompanying blog posts on <em>Dostoevsky Now.<\/em><\/p>\n<p>The mid-2010s was a time when the internet and social media were booming as platforms for academia to reach a wider audience, and at the same time there were a number of significant anniversaries of publications by Dostoevsky to commemorate. <em>Dostoevsky Now<\/em> briefly rode the crest of this wave; but as it launched around the same time as<em> Bloggers Karamazov<\/em>, I found it hard to develop an angle for the site that would be distinct from the excellent work being done across the Atlantic. As a solo contributor, I also struggled to devote the time that the site needed, and consequently it lapsed until the summer of 2021, when I devised a series of posts for the imminent bicentenary of Dostoevsky\u2019s birth, on the theme \u2018Reimagining Dostoevsky for the 21<sup>st<\/sup> Century\u2019.\u00a0The first of these, \u2018Dostoevsky the Master Builder\u2019, grew out of a light-hearted Twitter conversation about Dostoevsky in Lego. In the second, I translated and adapted an imagined interview with Dostoevsky by the Swiss professor Ulrich Schmid, which used quotations from Dostoevsky\u2019s works to suggest the writer\u2019s perspective on contemporary issues. Finally, I interviewed Scottish academic George Pattison about his own blog serialising a story in which Dostoevsky appears in 21<sup>st<\/sup> Century Glasgow, which has now been turned into a book called <a href=\"https:\/\/global.oup.com\/academic\/product\/conversations-with-dostoevsky-9780198881544?cc=gb&amp;lang=en&amp;\"><em>Conversations with Dostoevsky<\/em><\/a><\/p>\n<p>My public engagement work on Dostoevsky continued with a number of radio appearances related to the bicentenary, which I was able to promote via the <em>Dostoevsky Now<\/em> blog and Twitter account. However, Russian\u2019s full-scale invasion of Ukraine in February 2022 brought me up short. I felt deeply that I could not continue at that moment to work on and promote Dostoevsky, that it would take some time to conceptualize a new way of approaching him that would stand with integrity in the face of the horror being visited on Ukraine. That new way has since opened to me in the opportunity to compile a <em>Companion to Dostoevsky<\/em> for Routledge, which will feature many of the contributors to <em>Bloggers Karamazov<\/em> over the years. But at that point, I let <em>Dostoevsky Now<\/em> lapse for good.<\/p>\n<p>The <em>Dostoevsky Now<\/em> domain name will shortly expire, and to preserve its content, <em>Bloggers Karamazov<\/em> editors have kindly offered to import my main blogs, backdated to their original post dates so that they sit in complementary context. The full joining of <em>Dostoevsky Now <\/em>to its big brother<em> Bloggers Karamazov<\/em> feels to me like the most natural, organic solution, and I am grateful to Chloe Papodopoulos and Katia Bowers for their enthusiasm to facilitate the move, as well as to the University of Leeds for releasing the content.<\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<p class=\"has-text-align-center\"><em><a href=\"https:\/\/bloggerskaramazov.com\/category\/dostoevsky-now\/\">Dostoevsky Now<\/a><\/em> on <em>Bloggers Karamazov <\/em><\/p>\n<p><a href=\"https:\/\/bloggerskaramazov.com\/2021\/04\/13\/reimagining-dostoevsky-for-the-21st-century-1-dostoevsky-the-master-builder\/\">Reimagining Dostoevsky for the 21<sup>st<\/sup> Century (1): Dostoevsky the Master Builder<\/a><\/p>\n<p><a href=\"https:\/\/bloggerskaramazov.com\/2021\/04\/20\/reimagining-dostoevsky-for-the-21st-century-2-interviewing-dostoevsky\/\">Reimagining Dostoevsky for the 21<sup>st<\/sup> Century (2): Interviewing Dostoevsky<\/a><\/p>\n<p><a href=\"https:\/\/bloggerskaramazov.com\/2021\/07\/21\/reimagining-dostoevsky-for-the-21st-century-3-blogging-about-dostoevsky-part-i\/\">Reimagining Dostoevsky for the 21<sup>st<\/sup> Century (3): Blogging About Dostoevsky, Part I<\/a><\/p>\n<p><a href=\"https:\/\/bloggerskaramazov.com\/2021\/07\/21\/reimagining-dostoevsky-for-the-21st-century-3-blogging-about-dostoevsky-part-ii\/\">Reimagining Dostoevsky for the 21<sup>st<\/sup> Century (3): Blogging About Dostoevsky, Part II<\/a><\/p>\n<p><a href=\"https:\/\/bloggerskaramazov.com\/2015\/11\/15\/thoughts-on-part-i-of-crime-and-punishment-raskolnikovs-responsibility\/\">Thoughts on Part I of Crime and Punishment: Raskolnikov\u2019s responsibility<\/a><\/p>\n<p><a href=\"https:\/\/bloggerskaramazov.com\/2015\/12\/09\/catching-the-criminal-thoughts-on-raskolnikov-and-porfiry-petrovich\/\">Catching the criminal: Thoughts on Raskolnikov and Porfiry Petrovich<\/a><\/p>\n<p><a href=\"https:\/\/bloggerskaramazov.com\/2016\/01\/26\/on-rereading-crime-and-punishment-in-the-era-of-making-a-murderer\/\">Guest post. On rereading Crime and Punishment in the era of Making a Murderer<\/a><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<p>Sarah Hudspith is Associate Professor in Russian at the University of Leeds, UK, and Secretary of the\u00a0<a href=\"https:\/\/urldefense.com\/v3\/__http:\/\/www.basees.org\/__;!!LIr3w8kk_Xxm!u8V_l_rhwY5hRRXQz72eyeYm5dI04z_K9-tSHwmn6vnc50jTUth0-wcM_jh5p49t74LheoUTb0czy4xXtExrUKQYEQ%24\" target=\"_blank\" rel=\"noreferrer noopener\">British Association for Slavonic and East European Studies<\/a>. She is the author of\u00a0<em><a href=\"https:\/\/urldefense.com\/v3\/__https:\/\/www.routledge.com\/Dostoevsky-and-The-Idea-of-Russianness-A-New-Perspective-on-Unity-and-Brotherhood\/Hudspith\/p\/book\/9780415754057__;!!LIr3w8kk_Xxm!u8V_l_rhwY5hRRXQz72eyeYm5dI04z_K9-tSHwmn6vnc50jTUth0-wcM_jh5p49t74LheoUTb0czy4xXtEx_m1bYag%24\" target=\"_blank\" rel=\"noreferrer noopener\">Dostoevsky and the Idea of Russianness: A New Perspective on Unity and Brotherhood<\/a><\/em>\u00a0(London: RoutledgeCurzon, 2004) and co-editor with Vlad Strukov of\u00a0<em><a href=\"https:\/\/urldefense.com\/v3\/__https:\/\/www.routledge.com\/Russian-Culture-in-the-Age-of-Globalization\/Strukov-Hudspith\/p\/book\/9780367663995__;!!LIr3w8kk_Xxm!u8V_l_rhwY5hRRXQz72eyeYm5dI04z_K9-tSHwmn6vnc50jTUth0-wcM_jh5p49t74LheoUTb0czy4xXtEwIpuLSGw%24\" target=\"_blank\" rel=\"noreferrer noopener\">Russian Culture in the Age of Globalization<\/a><\/em>\u00a0(London: Routledge, 2019). She is a member of the editorial board of the online journal\u00a0<em><a href=\"https:\/\/urldefense.com\/v3\/__https:\/\/dostoevsky-studies.dlls.univr.it\/__;!!LIr3w8kk_Xxm!u8V_l_rhwY5hRRXQz72eyeYm5dI04z_K9-tSHwmn6vnc50jTUth0-wcM_jh5p49t74LheoUTb0czy4xXtEzuzYdIvQ%24\" target=\"_blank\" rel=\"noreferrer noopener\">Dostoevsky Studies<\/a>,\u00a0<\/em>and regularly contributes to radio and TV on Dostoevsky and 19th-century Russian literature.<\/p>","protected":false},"excerpt":{"rendered":"<p>The North American Dostoevsky Society stands with all the people of Ukraine, Russia, and the rest of the world who condemn the Russian invasion of Ukraine. See our statement\u00a0here. by Sarah Hudspith In November 2015 I established a website entitled Dostoevsky Now. Billed as \u201ca suite of resources for exploring Dostoevsky in the world today\u201d, [&hellip;]<\/p>\n","protected":false},"author":340,"featured_media":35442,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[65],"tags":[],"class_list":["post-35441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bloggers-karamazov"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/35441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=35441"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/35441\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media\/35442"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=35441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=35441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=35441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}