{"id":34980,"date":"2025-07-30T11:38:36","date_gmt":"2025-07-30T15:38:36","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/overlapping-portraits-in-dostoevskijs-the-idiot\/"},"modified":"2025-07-30T11:38:37","modified_gmt":"2025-07-30T15:38:37","slug":"overlapping-portraits-in-dostoevskijs-the-idiot","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/overlapping-portraits-in-dostoevskijs-the-idiot\/","title":{"rendered":"Overlapping portraits in Dostoevskij&#8217;s The Idiot."},"content":{"rendered":"<p>Author: Woodward, J. B.<\/p>\n<p>Language: English<\/p>\n<p>Type: chapter<\/p>\n<p>Pagination: 122-134<\/p>\n<p>Series: <\/p>\n<p>Source: <\/p>\n<p>Date of publication: 1993<\/p>\n<p>Place of publication: Columbus, OH<\/p>\n<p>Publisher: Slavica<\/p>\n<p>Notes: In: Woodward, J. B. Form and Meaning: Essays on Russian Literature.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Woodward, J. B. Language: English Type: chapter Pagination: 122-134 Series: Source: Date of publication: 1993 Place of publication: Columbus, OH Publisher: Slavica Notes: In: Woodward, J. B. Form and Meaning: Essays on Russian Literature.<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[8266,70,76,100],"class_list":["post-34980","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-115-127","tag-literary-criticism","tag-novel-studies","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=34980"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34980\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=34980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=34980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=34980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}