{"id":34731,"date":"2025-07-30T11:32:02","date_gmt":"2025-07-30T15:32:02","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/pritiazhenie-gotiki-struktura-kinematograficheskogo-khronotopa-v-ekranizatsii-akiry-kurosavy-romana-idiot\/"},"modified":"2025-07-30T11:32:02","modified_gmt":"2025-07-30T15:32:02","slug":"pritiazhenie-gotiki-struktura-kinematograficheskogo-khronotopa-v-ekranizatsii-akiry-kurosavy-romana-idiot","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/pritiazhenie-gotiki-struktura-kinematograficheskogo-khronotopa-v-ekranizatsii-akiry-kurosavy-romana-idiot\/","title":{"rendered":"Pritiazhenie gotiki: struktura kinematograficheskogo khronotopa v ekranizatsii Akiry Kurosavy romana \u201cIdiot\u201d."},"content":{"rendered":"<p>Author: Vlasov, Eduard<\/p>\n<p>Language: Russian<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 432-470<\/p>\n<p>Series: <\/p>\n<p>Source: <\/p>\n<p>Date of publication: 2002<\/p>\n<p>Place of publication: Moscow<\/p>\n<p>Publisher: Graal<\/p>\n<p>Notes: In: XXI vek glazami Dostoevskogo&#8211;perspektivy chelovechestva: materialy Mezhdunarodnoi konferentsii sostoiavsheisia v Universitete Tiba (Iaponiia), 22-25 avgusta 2000 goda.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Vlasov, Eduard Language: Russian Type: article Pagination: 432-470 Series: Source: Date of publication: 2002 Place of publication: Moscow Publisher: Graal Notes: In: XXI vek glazami Dostoevskogo&#8211;perspektivy chelovechestva: materialy Mezhdunarodnoi konferentsii sostoiavsheisia v Universitete Tiba (Iaponiia), 22-25 avgusta 2000 goda.<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[11395,183,133,75,326,11394,70,100],"class_list":["post-34731","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-432-470","tag-art-and-literature","tag-cinema-and-film-studies","tag-comparative-studies","tag-cultural-studies","tag-japanese-cinematograph","tag-literary-criticism","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=34731"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34731\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=34731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=34731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=34731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}