{"id":34181,"date":"2025-07-30T11:18:08","date_gmt":"2025-07-30T15:18:08","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/notes-from-underground-the-art-of-duplicity-and-the-duplicity-of-art\/"},"modified":"2025-07-30T11:18:08","modified_gmt":"2025-07-30T15:18:08","slug":"notes-from-underground-the-art-of-duplicity-and-the-duplicity-of-art","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/notes-from-underground-the-art-of-duplicity-and-the-duplicity-of-art\/","title":{"rendered":"&#8220;Notes From Underground&#8221;: The Art of Duplicity and the Duplicity of Art."},"content":{"rendered":"<p>Author: Todd, William Mills, III<\/p>\n<p>Language: English<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 161-167<\/p>\n<p>Series: <\/p>\n<p>Source: <\/p>\n<p>Date of publication: 2002<\/p>\n<p>Place of publication: Paris<\/p>\n<p>Publisher: Presses de l&#8217;universit\u00e9 de Paris-Sorbonne<\/p>\n<p>Notes: In: Diagonales dosto\u00efevskiennes: m\u00e9langes en l&#8217;honneur de Jacques Catteau. Textes r\u00e9unis par Marie-Aude Albert.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Todd, William Mills, III Language: English Type: article Pagination: 161-167 Series: Source: Date of publication: 2002 Place of publication: Paris Publisher: Presses de l&#8217;universit\u00e9 de Paris-Sorbonne Notes: In: Diagonales dosto\u00efevskiennes: m\u00e9langes en l&#8217;honneur de Jacques Catteau. Textes r\u00e9unis par Marie-Aude Albert.<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[8981,123,70,100],"class_list":["post-34181","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-161-167","tag-art","tag-literary-criticism","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=34181"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34181\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=34181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=34181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=34181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}