{"id":34056,"date":"2025-07-30T11:14:41","date_gmt":"2025-07-30T15:14:41","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/dostoevsky-and-music\/"},"modified":"2025-07-30T11:14:41","modified_gmt":"2025-07-30T15:14:41","slug":"dostoevsky-and-music","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/dostoevsky-and-music\/","title":{"rendered":"Dostoevsky and Music."},"content":{"rendered":"<p>Author: Thompson, Diane Oenning<\/p>\n<p>Language: English<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 207-219<\/p>\n<p>Series: <\/p>\n<p>Source: <\/p>\n<p>Date of publication: 2006<\/p>\n<p>Place of publication: Ilkeston, Derbyshire<\/p>\n<p>Publisher: Bramcote Press<\/p>\n<p>Notes: In: Dostoevsky on the Threshold of Other Worlds: Essays in Honour of Malcolm V. Jones.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Thompson, Diane Oenning Language: English Type: article Pagination: 207-219 Series: Source: Date of publication: 2006 Place of publication: Ilkeston, Derbyshire Publisher: Bramcote Press Notes: In: Dostoevsky on the Threshold of Other Worlds: Essays in Honour of Malcolm V. Jones.<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[1679,126,70,175,100],"class_list":["post-34056","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-207-219","tag-adaptation","tag-literary-criticism","tag-music","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=34056"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/34056\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=34056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=34056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=34056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}