{"id":33797,"date":"2025-07-30T11:07:42","date_gmt":"2025-07-30T15:07:42","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/subject-to-fits\/"},"modified":"2025-07-30T11:07:42","modified_gmt":"2025-07-30T15:07:42","slug":"subject-to-fits","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/subject-to-fits\/","title":{"rendered":"Subject to Fits."},"content":{"rendered":"<p>Author: , <\/p>\n<p>Language: English<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 38-39<\/p>\n<p>Series: 24, 3<\/p>\n<p>Source: American Theatre<\/p>\n<p>Date of publication: 2007<\/p>\n<p>Place of publication: <\/p>\n<p>Publisher: <\/p>\n<p>Notes: [&#8220;\u2026 an exploration of how different cast members at the Alley Theatre put together each piece of the play Subject to Fits (based on Fyodor Dostoevsky&#8217;s The Idiot).]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: , Language: English Type: article Pagination: 38-39 Series: 24, 3 Source: American Theatre Date of publication: 2007 Place of publication: Publisher: Notes: [&#8220;\u2026 an exploration of how different cast members at the Alley Theatre put together each piece of the play Subject to Fits (based on Fyodor Dostoevsky&#8217;s The Idiot).]<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[1667,126,9156,70,100],"class_list":["post-33797","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-38-39","tag-adaptation","tag-american-theater","tag-literary-criticism","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/33797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=33797"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/33797\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=33797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=33797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=33797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}