{"id":27028,"date":"2025-07-30T08:21:44","date_gmt":"2025-07-30T12:21:44","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/russian-expressionism-at-the-opera-prokofievs-the-gambler\/"},"modified":"2025-07-30T08:21:44","modified_gmt":"2025-07-30T12:21:44","slug":"russian-expressionism-at-the-opera-prokofievs-the-gambler","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/russian-expressionism-at-the-opera-prokofievs-the-gambler\/","title":{"rendered":"Russian Expressionism at the Opera: Prokofiev&#8217;s &#8220;The Gambler&#8221;"},"content":{"rendered":"<p>Author: Burry, Alexander<\/p>\n<p>Language: English<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 90-110<\/p>\n<p>Series: in Intersections and Transportations: Russian Music, Literature, and Society. A.B. Wachtel, ed.<\/p>\n<p>Source: <\/p>\n<p>Date of publication: 1998<\/p>\n<p>Place of publication: Evanston, IL<\/p>\n<p>Publisher: Northwestern University Press<\/p>\n<p>Notes: <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Burry, Alexander Language: English Type: article Pagination: 90-110 Series: in Intersections and Transportations: Russian Music, Literature, and Society. A.B. Wachtel, ed. Source: Date of publication: 1998 Place of publication: Evanston, IL Publisher: Northwestern University Press Notes:<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[8098,75,70,175,171,100],"class_list":["post-27028","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-90-110","tag-comparative-studies","tag-literary-criticism","tag-music","tag-performance-studies","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/27028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=27028"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/27028\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=27028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=27028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=27028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}