{"id":26302,"date":"2025-07-30T08:11:34","date_gmt":"2025-07-30T12:11:34","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/defining-the-face-observations-on-dostoevskiis-creative-processes\/"},"modified":"2025-07-30T08:11:34","modified_gmt":"2025-07-30T12:11:34","slug":"defining-the-face-observations-on-dostoevskiis-creative-processes","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/defining-the-face-observations-on-dostoevskiis-creative-processes\/","title":{"rendered":"Defining the Face: Observations on Dostoevskii&#8217;s Creative Processes"},"content":{"rendered":"<p>Author: Barsht, K.A.<\/p>\n<p>Language: in Russian Literature, Modernism and the Visual Art. Catriona Kelly, Stephen Lovell, eds.<\/p>\n<p>Type: English<\/p>\n<p>Pagination: New York<\/p>\n<p>Series: 2000<\/p>\n<p>Source: <\/p>\n<p>Date of publication: 23-57<\/p>\n<p>Place of publication: Cambridge<\/p>\n<p>Publisher: Cambridge University Press<\/p>\n<p>Notes: article<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Barsht, K.A. Language: in Russian Literature, Modernism and the Visual Art. Catriona Kelly, Stephen Lovell, eds. Type: English Pagination: New York Series: 2000 Source: Date of publication: 23-57 Place of publication: Cambridge Publisher: Cambridge University Press Notes: article<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[1523],"class_list":["post-26302","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-new-york"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/26302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=26302"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/26302\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=26302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=26302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=26302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}