{"id":26130,"date":"2025-07-30T08:09:30","date_gmt":"2025-07-30T12:09:30","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/russische-literatur-im-osterreichischen-tanztheater-2000-dostoevskijs-idiot-inszenierung-eines-literarischen-textes-durch-sprechende-bewegung\/"},"modified":"2025-07-30T08:09:30","modified_gmt":"2025-07-30T12:09:30","slug":"russische-literatur-im-osterreichischen-tanztheater-2000-dostoevskijs-idiot-inszenierung-eines-literarischen-textes-durch-sprechende-bewegung","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/russische-literatur-im-osterreichischen-tanztheater-2000-dostoevskijs-idiot-inszenierung-eines-literarischen-textes-durch-sprechende-bewegung\/","title":{"rendered":"Russische Literatur im \u00f6sterreichischen Tanztheater 2000: Dostoevskijs \u201cIdiot\u201d\u2014Inszenierung eines literarischen Textes durch sprechende Bewegung"},"content":{"rendered":"<p>Author: Aufschnaiter, Barbara<\/p>\n<p>Language: German<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 307-318<\/p>\n<p>Series: Vol. 4, no. 1<\/p>\n<p>Source: Jahrbuch der \u00d6sterreich-Bibliothek in St. Petersburg<\/p>\n<p>Date of publication: 1999-2000<\/p>\n<p>Place of publication: <\/p>\n<p>Publisher: <\/p>\n<p>Notes: <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Aufschnaiter, Barbara Language: German Type: article Pagination: 307-318 Series: Vol. 4, no. 1 Source: Jahrbuch der \u00d6sterreich-Bibliothek in St. Petersburg Date of publication: 1999-2000 Place of publication: Publisher: Notes:<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[7648,7647,75,70,171,100,120],"class_list":["post-26130","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-307-318","tag-austrian-studies","tag-comparative-studies","tag-literary-criticism","tag-performance-studies","tag-russian-literature","tag-theatre"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/26130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=26130"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/26130\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=26130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=26130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=26130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}