{"id":26068,"date":"2025-07-30T08:08:38","date_gmt":"2025-07-30T12:08:38","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/ekranizacija-kaip-literaturos-istorijos-provokacija\/"},"modified":"2025-07-30T08:08:38","modified_gmt":"2025-07-30T12:08:38","slug":"ekranizacija-kaip-literaturos-istorijos-provokacija","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/ekranizacija-kaip-literaturos-istorijos-provokacija\/","title":{"rendered":"Ekranizacija kaip literat\u016bros istorijos provokacija"},"content":{"rendered":"<p>Author: Arlauskaite, Natalija<\/p>\n<p>Language: Lithuanian<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 50-70<\/p>\n<p>Series: Vol. 7, no. 12<\/p>\n<p>Source: Respectus Philologicus<\/p>\n<p>Date of publication: 2005<\/p>\n<p>Place of publication: <\/p>\n<p>Publisher: <\/p>\n<p>Notes: Analysis of the architectural ties between The Idiot and its film adaptation &#8220;Down House&#8221; in 2000<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Arlauskaite, Natalija Language: Lithuanian Type: article Pagination: 50-70 Series: Vol. 7, no. 12 Source: Respectus Philologicus Date of publication: 2005 Place of publication: Publisher: Notes: Analysis of the architectural ties between The Idiot and its film adaptation &#8220;Down House&#8221; in 2000<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[2199,75,213,70,100],"class_list":["post-26068","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-50-70","tag-comparative-studies","tag-film-studies","tag-literary-criticism","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/26068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=26068"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/26068\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=26068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=26068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=26068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}