{"id":25807,"date":"2025-07-30T08:05:17","date_gmt":"2025-07-30T12:05:17","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/humans-are-russian-a-clockwork-orange-and-the-russian-dystopian-tradition\/"},"modified":"2025-07-30T08:05:17","modified_gmt":"2025-07-30T12:05:17","slug":"humans-are-russian-a-clockwork-orange-and-the-russian-dystopian-tradition","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/humans-are-russian-a-clockwork-orange-and-the-russian-dystopian-tradition\/","title":{"rendered":"\u201cHumans Are Russian\u201d: A Clockwork Orange and the Russian Dystopian Tradition"},"content":{"rendered":"<p>Author: Aggeler, Geoffrey<\/p>\n<p>Language: English<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 79-92<\/p>\n<p>Series: in Portraits of the Artist in A Clockwork Orange: Papers and Music From the Anthony Burgess Centre\u2019s Symposium \u201cThe Avatars of A Clockwork Orange,&#8221; December 7-8, 2001. Edited by Emmanuel Vernadakis and Graham Woodroffe<\/p>\n<p>Source: <\/p>\n<p>Date of publication: 2003<\/p>\n<p>Place of publication: Angeers<\/p>\n<p>Publisher: Presses de l&#8217;Universit\u00e9 d&#8217;Angeers<\/p>\n<p>Notes: <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Aggeler, Geoffrey Language: English Type: article Pagination: 79-92 Series: in Portraits of the Artist in A Clockwork Orange: Papers and Music From the Anthony Burgess Centre\u2019s Symposium \u201cThe Avatars of A Clockwork Orange,&#8221; December 7-8, 2001. Edited by Emmanuel Vernadakis and Graham Woodroffe Source: Date of publication: 2003 Place of publication: Angeers Publisher: Presses [&hellip;]<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[1613,101,75,70,100],"class_list":["post-25807","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-79-92","tag-british-literature","tag-comparative-studies","tag-literary-criticism","tag-russian-literature"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/25807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=25807"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/25807\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=25807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=25807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=25807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}