{"id":25688,"date":"2025-07-30T08:03:42","date_gmt":"2025-07-30T12:03:42","guid":{"rendered":"https:\/\/dostoevskydev.wpengine.com\/2025\/07\/30\/prestupleniye-i-nakazaniye-fedora-dostoyevskogo-versii-gastona-bati\/"},"modified":"2025-07-30T08:03:42","modified_gmt":"2025-07-30T12:03:42","slug":"prestupleniye-i-nakazaniye-fedora-dostoyevskogo-versii-gastona-bati","status":"publish","type":"post","link":"https:\/\/dostoevsky.org\/society\/prestupleniye-i-nakazaniye-fedora-dostoyevskogo-versii-gastona-bati\/","title":{"rendered":"&#8220;Prestupleniye i nakazaniye&#8221; Fedora Dostoyevskogo versii Gastona Bati."},"content":{"rendered":"<p>Author: Orlova, Nade\u017eda<\/p>\n<p>Language: Serbian<\/p>\n<p>Type: article<\/p>\n<p>Pagination: 61-74<\/p>\n<p>Series: 40<\/p>\n<p>Source: <\/p>\n<p>Date of publication: 2021<\/p>\n<p>Place of publication: Beograd<\/p>\n<p>Publisher: Fakultet dramskih umetnosti<\/p>\n<p>Notes: <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Orlova, Nade\u017eda Language: Serbian Type: article Pagination: 61-74 Series: 40 Source: Date of publication: 2021 Place of publication: Beograd Publisher: Fakultet dramskih umetnosti Notes:<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[6083,126,7332,70,100,89],"class_list":["post-25688","post","type-post","status-publish","format-standard","hentry","category-bibliography","tag-61-74","tag-adaptation","tag-french-theater","tag-literary-criticism","tag-russian-literature","tag-translation"],"_links":{"self":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/25688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/comments?post=25688"}],"version-history":[{"count":0,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/posts\/25688\/revisions"}],"wp:attachment":[{"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/media?parent=25688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/categories?post=25688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky.org\/society\/wp-json\/wp\/v2\/tags?post=25688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}